Fellows

Breathing (Proposition 4) - Ivetta Sunyoung Kang

Screenshots of Trailer for Breathing, 8”51, colour, sound. (c) Ivetta Sunyoung Kang. The video combines some audio recordings of the Written Resolution written by the Koreanische-Frauengruppe and the song, Light of Factory by Min-Ki Kim. 2023

Ivetta Sunyoung Kang

Breathing will revolve nearby the history of the South Korean guest workers whose labour was exported to West Germany under the cross-national agreement starting in the late 60s. The iteration will include interviews, personal archives and belongings of elderly nurses residing across Germany and their respective acts of storytelling. Who owns their memories? Why didn't some (or most) of their memories become part of the "history"? What ephemeral and subtle bodily enunciations will be enacted when certain memories are summoned to the contemporary act of telling and performing in a reparative mode of speech act? Breathing will consist of many paused, sporadical, yet constant breaths emanating from invisiblized stories to fill archival and epistemological crevices in the leading fabric of the guest worker's history.

Screenshots of Trailer for Breathing, 8”51, colour, sound. (c) Ivetta Sunyoung Kang. The video combines some audio recordings of the Written Resolution written by the Koreanische-Frauengruppe and the song, Light of Factory by Min-Ki Kim. 2023
Screenshots of Trailer for Breathing, 8”51, colour, sound. (c) Ivetta Sunyoung Kang. The video combines some audio recordings of the Written Resolution written by the Koreanische-Frauengruppe and the song, Light of Factory by Min-Ki Kim. 2023
Screenshots of Trailer for Breathing, 8”51, colour, sound. (c) Ivetta Sunyoung Kang. The video combines some audio recordings of the Written Resolution written by the Koreanische-Frauengruppe and the song, Light of Factory by Min-Ki Kim. 2023
Installation views of I’m Allergic to Archival Dust, interdisciplinary installation with prototype creations. (c) Ivetta Sunyoung Kang. It contains actual archived materials from a former nurse and activist, Cha-jo An, the Koreanische-Frauengruppe and a former miner and activist, Young-Jun Rhee, courtesy of Obok Kwon. 2023
Installation views of I’m Allergic to Archival Dust, interdisciplinary installation with prototype creations. (c) Ivetta Sunyoung Kang. It contains actual archived materials from a former nurse and activist, Cha-jo An, the Koreanische-Frauengruppe and a former miner and activist, Young-Jun Rhee, courtesy of Obok Kwon. 2023
Installation views of I’m Allergic to Archival Dust, interdisciplinary installation with prototype creations. (c) Ivetta Sunyoung Kang. It contains actual archived materials from a former nurse and activist, Cha-jo An, the Koreanische-Frauengruppe and a former miner and activist, Young-Jun Rhee, courtesy of Obok Kwon. 2023
Breathing (Proposition 4), 2023-ongoing. Screenshot of a trailer video of the piece. Ivetta Sunyoung Kang. 2023.
When the Others Lick Underneath Your Tongue, 2019-2022. Sound Scene 2022 at the Smithsonian Hirshhorn Museum and Sculpture Garden, Washington DC (c) Cactus Studio and Ivetta Sunyoung Kang, 2022.
When the Others Lick Underneath Your Tongue, 2019-2022. Sound Scene 2022 at the Smithsonian Hirshhorn Museum and Sculpture Garden, Washington DC (c) Cactus Studio and Ivetta Sunyoung Kang, 2022.
When the Others Lick Underneath Your Tongue, 2019-2022. Sound Scene 2022 at the Smithsonian Hirshhorn Museum and Sculpture Garden, Washington DC (c) Cactus Studio and Ivetta Sunyoung Kang, 2022.
Proposition 3: String Figure, 2022-ongoing. 3D generated installation views by ijo. AGO X RBC Artist-in-Residence, Art Gallery of Ontario, Canada. 2022.
Proposition 3: String Figure, 2022-ongoing. 3D generated installation views by ijo. AGO X RBC Artist-in-Residence, Art Gallery of Ontario, Canada. 2022.
Proposition 3: String Figure, 2022-ongoing. Screenshot of the 7th-channel performance video. AGO X RBC Artist-in-Residence, Art Gallery of Ontario, Canada. 2022.

Funding Institution