(Germany)
I'm working in fields of sound art, music theatre, performance, instrumental and electronic music.
I perceive my work as composing with acoustic (and often visual) objects that possess the potential to comment on contemporary life respectively on our mechanisms of perception, for example through their derivation, their sound-consistence or their collision with each other.
In my compositions, I am often interested in moments of everyday life that we don't pay much attention to, that we normally ignore because they are too ephemeral, too quiet, too unconsiderable or because it's the social frame that regulates our perceptual concentration.