Fellows

The Migrant Tongue, The Land That Feeds - Ji Yun Kim

Visual Map of JY Kim's Curatorial Projects 2024/25 (c) Ji Yun Kim

Ji Yun Kim ( South Korea )

TheMigrant Tongue, The Land That Feeds begins with oral accounts of fermented foodways from Iksan in North Jeolla Province, passed down to Ji Yun Kim by her father. Sustained by fertile plains, Iksan is a place where traditions of preservation and fermentation have long taken root. During the Japanese colonial period, rail networks were developed to facilitate the extraction of grain, as part of colonial modernisation.

Using these oral histories as an axis, the project examines how food, particularly fermentation, has functioned as a cultural language that bears shifts in memory, labour, and migration, continually reconfiguring communal identity and relations.

For Ji Yun, the remembered tastes of Iksan, a place she has never lived in, operate as a transmitted axis. The project asks how Korean life in Germany, from the first generation of labour migrants such as miners and nurses, to their descendants, and to more recent arrivals, holds distinct axes that resonate with one another.

Further, just as fermentation is realised through interactions between humans and microbes, the project reveals how Korean cuisine has long sustained modes of coexistence forged through migration and encounter from a nonhuman perspective, and rethinks the ethics of hospitality and resilience latent within these practices.

Art in Culture (Korea) — Reviews of Mire Lee: Open Wound, Geumhyung Jeong: Under Construction (Jan 2025, Pitching) and Do Ho Suh: Walk the House (Aug 2025, Focus).
Co-curated Seoul Ghost, 2024, Royal College of Art, Upper Gulbenkian Hall, Kensington, London, UK.
A Yawn, 2025, 1The Crit Room, Painting Building, RCA BATTERSEA CAMPUS, London. Artists: Jackson Owen, Paul-Auguste Richard, Hongil Yoon, photo (c) Yumin Lee

This project is supported by Arts Council Korea.

KR)이 사업은 한국문화예술위원회 2026년 해외레지던시참가지원 사업의 지원을 받았습니다.